såsom i en spegel

ingmar bergman - through a glass darkly - 1961cinematography by sven nykvistclassic drone seriessound, sound design, music in filmcorne de brume / une certaine eau*****water, fog horn, stones, rain, j.s. bach, motor(dialogue edited out)sound - staffan dalin, stig flodinmusic - j.s. bach, erik nordgren

univers du western - true grit

cohen brothers - true grit - 2010liminal opening shotcinematographer - roger deakins

john cassavetes' husbands distilled into 23 blurs, streaks and abstractions(discovered while listening to toru takemitsu)

univers du western - lonely are the brave

david miller - lonely are the brave - 1962(landscape photography)kirk douglas - john w. "jack" burnswhiskeygena rowlands - jerry bondigeorge kennedy - deputy sheriff gutierrezwalter matthau - sheriff morey johnsoncarroll o'connor - hintonwilliam schallert - harrybill raisch - one arm(he was stand-in for burt lancaster)cinematography by philip h. lathrop *music by jerry goldsmith *screenplay by

trees from michelangelo antonioni's il grido - 1957cinematography by gianni di venanzo

from the oblique plucking of a string

opening sequence of peter jackson's heavenly creatures - 1994cinematography by alun bollinger(title from old man ponge)

the sublunar light with its softened colours

at times octavian even imagined he could see indistinct human forms flitting among the shadows, but they dissolved the moment they passed into the moonlit parts of the street. low whispering and indefinite murmurs drifted upon the silence. the solitary visitor at first attributed them to some nervous flicker of the eye, some tingling in his ears. or perhaps they were merely a trick of the

thirty-fifth one flew

errol morris - vernon, florida - 1982cinematography by ned burgesslisten to that sound.hear that sound?getting in and out of trees?

other's face reflected

train abstractions fromakira kurosawa's high and low - 1963cinematography by asakazu nakai & takao saito

take me to your cinema

michael powell - peeping tom - 1960cinematography by otto heller("take me to your cinema" a great influence on the young arthur de eriomém, finally revisited as a codger)

those living waves, die one after another, monotonously, but they make no foaming sound

magic-hour & darkness (plus day-for-night) inl'armée des l'ombres - jean-pierre melville - 1969cinematography by pierre lhommethe bird of passage rests on the waves, then abandons himself to their movements, full of proud grace, until the bones of his wings have recovered their accustomed strength and he can continue his aerial pilgrimage..... i want to die lulled by the waves of the stormy

enneigé - covered with snow

jean-pierre melville - l'armée des ombres - 1969cinematography - pierre lhommeactor - lino venturafirst post in a series looking at the difference betweenmagic-hour/night-time photography and day-for-nightin melville's l'armée des ombresbased on an amateur's (lover's) view-point(enneigé images - memories of winter nights in harlem, nyc by young gossamer)

classify all risks

claude sautet - classe tous risques - 1960novel - josé giovannicinematography - ghislain cloquet

univers du western - the furies

anthony mann - the furies - 1950(landscape photography)cinematography by victor milner *(number 8 of 500 detailing westerns)

edrnia plmnei

los angeles, time, castration, infidelity, darkness, humour, violence, poland, rabbits, prostitution, mercenaries, glistening eyes, alleys, distant melodies, death, penderecki, nonsense, trainsounds, scratching, surface sounds, evil, 47, hollywood & vine, blurring, afterimages, liminality

univers du western - brokeback mountain

ang lee - brokeback mountain - 2005cinematography by rodrigo prieto *(21 grams, amores perros)screenplay - larry mcmurtry and diana ossanamusic - gustavo santaolalla + willie nelson - he was a friend of mine (bob dylan)with:heath ledgerjake gyllenhaalrandy quaid(number 7 of 500 detailing westerns)

univers du western - there will be blood - the influence of marfa on cinema, part 2

landscape images frompaul thomas anderson - there will be blood - 2007cinematography by robert elswit(number 6 of 500 detailing westerns)

univers du western - winchester '73

anthony mann - winchester '73 - 1950james stewart * - lin mcadammillard mitchell * - high spadedan duryea * - waco johnnie deanjay c. flippen * - sgt. wilkesjohn mcintire * - joe lamontwill geer * - wyatt earpcinematography - william h. danielscinematography by william h. daniels *editing by edward curtiss *(number 4 of 500 detailing westerns)((number 5 of 500, anthony mann's the tin star,

univers du western (trains in cinema) - night passage

jay c. flippendan duryeajames neilson - night passage - 1957cinematography by william h. daniels *music by dimitri tiomkin *with:james stewart *dan duryea *jay c. flippen *robert j. wilke *jack elam *olive carey *includes some beautiful technicolor photography by william h. daniels(not really a great film, but worth it for the muted, near monochromatic tones)(number 3 of 500 detailing westerns)

univers du western - 3 godfathers

john ford - 3 godfathers, 1948john wayne - robert marmaduke hightowerpedro armendáriz - pedro 'pete' roca fuerte (as pedro armendariz)harry carey jr. - william kearney (the abilene kid)ward bond - perley 'buck' sweetjane darwell - miss florieguy kibbee - judgeben johnson - posse man #1 (center, both stills)charles halton - oliver lathamhank worden - deputy curlyjack pennick - luke (the conductor)