my name is mud... give me a drink

some music fromjohn cassavetes' - the killing of a chinese bookie - 1976classic drone seriessound, sound design, music in film my name is mud heavy to be one with the lady i love... what is that junk called?music/sound - bo harwoodsound mixer - robert (buzz) knudson

will some music throw you off your stride

david lean - brief encounter - 1945classic drone seriessound, sound design, music in film celia johnson's inner voice hushed in relation to her neighbor's chatter(reminiscent of carl boehm's voice in peeping tom) volume on the stereo lowers as celia johnson's mind wonders to her lovesound editor - harry millermusic - muir mathieson, percival mackey

the man's contact man

peter yates - the friends of eddie coyle - 1973classic drone seriessound, sound design, music in film city sounds (boston), bar ambiencemusic - victor j. kempersound editor - ron kalish, richard p. cirincionesound recordist - richard ragusesound re-recordist - dick vorisek

raging bull

martin scorsese - raging bull - 1980classic drone seriessound, sound design, music in film la motta vs. sugar ray robinsondetroit 1943sound mirrors slow motion camera la motta vs. sugar ray robinsondetroit 1943 3rd fightfrom the bathroom with music to the fight (heat & animal sounds) la motta vs. sugar ray robinsondefeat(2 sections combined)sound mixer - michael evje, les lazarowitz,

king kong

merian c. cooper & ernest b. schoedsack - king kong - 1933classic drone seriessound, sound design, music in film street sounds ship sounds (dialogue removed) fog, discovering the island kong (screams edited) kong and dinasour fight (edited)music - max steinersound effects, sound designer - murray spivackrecorded by - earl a. wolcottsound effects associate - walter elliottsound

eastern promises

david cronenberg - eastern promises - 2007classic drone seriessound, sound design, music in film opening credits, thunder & rain you must make the wood cry rain (i am driver) prostitute singing ochi chernyemusic - howard shoresound re-recording mixer - christian t. cooke, mark zsifkovits, orest sushkosupervising sound editor - michael o'farrell, wayne griffinsound

såsom i en spegel

ingmar bergman - through a glass darkly - 1961cinematography by sven nykvistclassic drone seriessound, sound design, music in filmcorne de brume / une certaine eau*****water, fog horn, stones, rain, j.s. bach, motor(dialogue edited out)sound - staffan dalin, stig flodinmusic - j.s. bach, erik nordgren

nattvardsgästerna

ingmar bergman - winter light - 1963cinematography by sven nykvistclassic drone seriessound, sound design, music in filmjonas persson est mort / une certaine eau*****sound effects - evald anderssonsound - stig flodin & brian wikström

shadowings

masaki kobayashi - kwaidan - 1964classic drone seriessound, sound design, music in film*****horse & ghost from the black hair + soundtrackmusic - tôru takemitsusound designer - tôru takemitsusound - hideo nishizaki

devil out of hell

sidney j. furie - the entity - 1982classic drone seriessound, sound design, music in film three entity drones (dialogue cut out)music - charles bernsteinsound mixer - willie d. burtonsound re-recording mixer - gregg landaker, steve maslowsound effects editor - keith staffordsound re-recording mixer - bill varney

time, rhythm and editing

andrei tarkovsky - the mirror - 1975classic drone seriessound, sound design, music in film rain, fire, melody, dronethere must be other ways of working with sound, ways which would allow one to be more accurate, more true to the inner world which we try to reproduce on screen; not just the author's inner world, but what lies within the world itself, what is essential to it and does not

they are lost in the gloom

akira kurosawa - seven samurai - 1954classic drone seriessound, sound design, music in film rain, dronesound effects editor - ichirô minawasound assistant - masanao ueharasound recordist - fumio yanoguchimusic - fumio hayasakatitle from donald richie's the films of akira kurosawa

forest notes

lumen * w/ 2 contributions by art of memory correspondent- trees as wind instruments in bresson’s mouchette- it is something invisible by matthew swiezynski

a sound of some new unknown life

why is it so unutterably beautiful? it is pure music, but for me it has so many implications, - hard to define - of course it is enigmatic, all great art has its secrets -; it has all the deep mysteries of the earth and its environs - for me, the agony of the old primitive earth stirring restlessly at the beginning of spring; something tremendous is going on in the earth, but i do not know

not quite silence but stillness, in spite of trains (invisible birds)

classic drone series (number 3)2:00 pm (october 22, 1999)sandhill cranes gabbling high aboveinvisible in autumn's blue depthsa pair of crows shout at each otheracross the open fieldsnapping red-winged grasshoppers describea series of brief arcs, from there to theretheir smaller kin lie hiddendiscreetly hissing in the black gramathe lanky stalks tremble and sigha dozen piñon jays stir the

le silence au fond de l’abîme

classic drone (number 2):the work of thomas köner(discography)- *untitled - die stadt - 2007(ds104, john duncan / kontakt der jünglinge / c.m. von hausswolff, includes track montreal solution 1 as kontakt der junglinge, thomas köner & asmus tietchens)- nuuk - mille plateaux - 2004 (cd+dvd)(originally released by big cat as part of driftworks in 1997)(includes roland kentrup & roland spekle -

blurred layers of sound

classic drone (number 1):colin andrew sheffield, first thus, elevator bath, 2005first thus: the first edition published in the present form. often used to denote a book that was published previously by a different publisher.i'm not sure how i ever let this one escape me the past couple of years. i've always enjoyed colin's previous projects, which are also available on his own fine label,