the sublunar light with its softened colours

at times octavian even imagined he could see indistinct human forms flitting among the shadows, but they dissolved the moment they passed into the moonlit parts of the street. low whispering and indefinite murmurs drifted upon the silence. the solitary visitor at first attributed them to some nervous flicker of the eye, some tingling in his ears. or perhaps they were merely a trick of the

classify all risks

claude sautet - classe tous risques - 1960novel - josé giovannicinematography - ghislain cloquet

robert bresson, léonce-henri burel, jacques becker, ghislain cloquet, sans personnes

robert bresson, un condamné à mort s'est échappé, 1956(kiefer)(beuys)jacques becker, le trou, 1960two prison escape films,(moments without human presence)-robert bresson, un condamné à mort s'est échappé ou le vent souffle où il veut (aka a man escaped), 1956 (dp. léonce-henri burel)-jacques becker, le trou, 1960 (dp. ghislain cloquet, bresson's cinematographer for au hasard balthazar 1966,

robert bresson, ghislain cloquet, de l'autre côté du miroir

through glass, au hasard balthazar 1966though glass, mouchette (or, little fly), 1967au hasard, balthazar & mouchette, through glass.cinematography by ghislain cloquet (1924 - 1981), the belgian-born french cinematographer.cloquet studied film at école national de photographie et cinématographie, and idhec (l'institut des hautes études cinématographiques)."for au hasard, balthazar, bresson would