with the gentle embrace
dom hans van der laan (dutch monastic architect)schemi per tuniche represe da abiti orientali che testimoniano l'attitudinefrom dom hans van der laan: le opere, gli scritti - electa - 2000for diane
spheres of resonance
there is an ancient indian folk story about the bird called musikar or dipak-lotus which had a beak of seven apertures. through each of these openings the bird was supposed to have been able to blow a different note, and at different seasons of the year it combined these notes into harmony to produce ragas with an "ethos" particular to the hour of the day and season of the year. an egg was
other's face reflected
train abstractions fromakira kurosawa's high and low - 1963cinematography by asakazu nakai & takao saito
later times
Fate had elected him for a special deed.But he then made sure that later times lost all memory of him.- Joseph Roth, The Radetzky March
take me to your cinema
michael powell - peeping tom - 1960cinematography by otto heller("take me to your cinema" a great influence on the young arthur de eriomém, finally revisited as a codger)
those living waves, die one after another, monotonously, but they make no foaming sound
magic-hour & darkness (plus day-for-night) inl'armée des l'ombres - jean-pierre melville - 1969cinematography by pierre lhommethe bird of passage rests on the waves, then abandons himself to their movements, full of proud grace, until the bones of his wings have recovered their accustomed strength and he can continue his aerial pilgrimage..... i want to die lulled by the waves of the stormy
falling the evening of people blurrs cats
images:cat people - val lewton & jacques tourneur - 1942&curse of the cat people - val lewton, gunther von fritsch, robert wise - 1944((for colin & holly))
Labels:
cats,
darkness,
film,
val lewton
enneigé - covered with snow
jean-pierre melville - l'armée des ombres - 1969cinematography - pierre lhommeactor - lino venturafirst post in a series looking at the difference betweenmagic-hour/night-time photography and day-for-nightin melville's l'armée des ombresbased on an amateur's (lover's) view-point(enneigé images - memories of winter nights in harlem, nyc by young gossamer)
berkeley - polish night music
(music found at various libraries around berkeley during a cat-sitting adventure with young gossamer, and other places)- afro cuban all-stars - a toda cuba le gusta - nonesuch - 1997- john adams - shaker loops: II. hymning slews from shaker loops light over water - new albion records - 1994- j.s. bach (philippe herreweghe) - bach: cantatas & masses - emi classics - 2004- ludwig van beethoven (
classify all risks
claude sautet - classe tous risques - 1960novel - josé giovannicinematography - ghislain cloquet
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