coordinates what is heard and what is seen

leighton pierce: my person in the water, 2006pierce was a musician before he was a filmmaker. he made musique concrete and became attracted to film in part because "there was this problem with musique concrete; once you've constructed this music electronically on tape, what do you do at a concert? it's very awkward sitting in an auditorium listening to a tape". once he began to work with

camera lucida & lightstreams, jouissance

the meaning of mystery is to be always in ambiguity, with double, triple aspects; in the hints of aspects (images in images), forms which will be, or which become according to the state of mind of the beholder. all things become more suggestive because they appear.odilon redon (from as in a dream: odilon redon)this entry looks at the work of 3 contemporary artists working in filmic abstractions,