robert bresson, andrei tarkovsky, very few means of expression

while doing roublev i forced myself to be very hard and very dry, tending towards a sort of olympic calm that, for me, is the major quality of the art of directing a film. so i might as well as tell you that i'm very fond of bresson. page 30in paris, i have asked to meet bresson. we have nothing in common, but he's one of the best directors i know. i want to see him, to see his face, to see how

there amid murmurs, insinuations, visual thunder

stéphane mallarmé, photograph by félix nadarit seemed to me that i was looking at the form and patterns of a thought, placed for the first time in finite space.  here space itself truly spoke, dreamed, and gave birth to temporal forms.  expectancy, doubt, consternation, all were visible things....  there amid murmurs, insinuations, visual thunder, a whole spiritual tempest carried page by page to